Emperors Long Fist (Tai Tzu Chang Chuan)
Emperor's Long Fist (Ba Gua Chan "Tai Chi Chuan" Hsing-I)
The internal arts Tai Chi, Ba Gua, and Hsing-I are taught collectively
at our school as the Emperor's Long Fist system. Emperor's Long
Fist (Tai Tzu Chang Chuan) was created in Sung dynasty China by
Emperor Chao Kuang Yin in 960 A.D., and is the root of all other
Tai Chi styles. Ba Gua and Hsing-I, the sister arts to Tai Chi,
were also incorporated. These internal arts emphasize the cultivation
of Qi (a.k.a. Chi, Ki, life energy, etc.) for use in combat rather
than external muscular force. Thousands of Chinese and a growing
number of Westerners practice internal arts (especially Tai Chi)
for health and longevity.
Emperor's Long Fist History
Chao Kuang-yin, founder and ruler of the Sung Dynasty from 960-976
A.D., reunited war torn China following the division of the Five
Dynasties. He also brought an end to the militarism which characterized
China during that era.
Chao came from a northeastern military family, the kind that had
dominated politics since the late ninth century. Large of stature
and an able warrior, he rose to become commander of the Palace Corps
of the Chou Dynasty in 959, the last of the Five Dynasties under
the Emperor Shih-tsung, whose death the following year left a seven-year-old
child on the throne. During this episode and an invasion from the
north, General Chao had been sent north to repel the Khitan. It
is said that the army officers, after a few days out, came to the
thirty-two-year-old Chao Kuang-yin who was asleep in his tent. Awakening
him at dawn by swordpoint, they insisted he wear the yellow silkrobe,
a symbol of imperial authority, and lead the army to take possession
of the capital.
After the Emperor, also known as Sun Tai-tzu, came reluctantly to
power and having achieved this great victory, he called together
his army chiefs and hosted a grand banquet. When everyone had drunk
plenty and were in a festive mood, the Emperor told them, "I
do not sleep peacefully at night." The generals all inquired
why and the answer came that if any one of the generals had been
forced by swordpoint to don the imperial robe unwillingly and overthrow
the Chou Dynasty, how would they feel? The generals proceeded to
protest, commenting that they were not talented enough. When all
was said and done, the Emperor talked of life and happiness, and
said: "If you, my officers, will renounce your military authority
and retire to the provinces and choose the finest of lands to pass
the rest of your days, living your lives in peace and happiness,
wouldn't this be far more desirable than the peril of war? So that
there be no suspicions, we will ally our families with marriages
and thus ruler and subject will be linked in friendship and amity."
The following day the army commanders turned in their resignations,
reporting (imaginary) illnesses, and withdrew to the country districts.
Once there, the Emperor gave them magnificent gifts and appointed
them to high official positions.
Like all Chinese imperial regimes, the Sung government was absolute
in principle and hierarchical in organization. It differed from
the previous governments in achieving a new degree of centralization
and of civilian control over the military. Comparing this to the
earlier and later governments, it provided an open forum for discussion
and criticism.
Under the Emperor's influence, the Sung dynasty also became known
as the Golden Age. It was during this period that the Sung featured
remarkable economic, technological, intellectual and artistic growth
and is often taken as the truly formative period for the late imperial
era, lasting to 1911.
Chao Kuang-yin was a celebrated scholar who had a keen interest
in the martial arts. He is credited with being the first one in
Chinese history to comprehensively collect and document all available
manuscripts on the subject of martial arts, especially those from
the Shao Lin Temple. Studying the available information, he kept
those records hidden in a library in a tower behind the Temple.
The tower was eventually destroyed and the manuscripts scattered.
Creating his own complete system of martial art, the Emperor Tai-tzu
encompassed health and the self defense aspects, calling his art
tai tzu chang chuan, meaning "great ancestor's long fist."
This system is so uniquely composed that it covers all aspects of
tai chi, hsing yi and ba kua, the original internal systems of Northern
China. Tai tzu is the root from which most northern styles originated,
and since the southern styles originated from the north, hence,
the southern styles of martial arts stem from tai tzu chang chuan
as well. Tai tzu chang chuan was perfected in 960 and journals published
in 984. The Chao family inherited this system, passing it down from
generation to generation, refining it and preserving the secrets.
Only those in the Chao family who qualified had access to this art.
Not all members possessed the basic requirements of good moral character,
sincere spirit of inquiry, and the most important requirement--the
status of being next in line to carry on the legacy of inheritance.
Historical chronicles record the birth of Chao Kuang-yin during
927, while the recorded birth of Chang San Feng is dated 1247. Therefore,
contrary to popular belief, Chang San Feng was not the founder of
tai chi, and the term tai chi is generic as far as we are concerned.
In 1618, General Chen Wang Ting studied the basics of tai tzu chang
chuan, incorporating it as the first form in his style. Later, he
abandoned the form because of its length, although kept the essence,
calling his "new" art chen tai chi chuan. In 1799, Yang
Lew Shen created the yang style of tai chi, deriving it from the
chen style and passing this art on to Yang Cheng Fu in 1833. He
was famous for his ability in tai chi, and his forms became known
as tai chi. Master Chao Yuh Feng knew the famous Yang Cheng Fu who
had learned this ancient style of long fist. To date, Grandmaster
and inheritor of the system, Chao Yuh Feng is the 35th-generation
descendant, the last inheritor of the same family lineage as the
Emperor and, for posterity, the keeper of the books on tai tzu chang
chuan.
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